The 2014 Grammy Awards: Still Pushing the Illuminati Agenda

The 2014 Grammy Awards featured a black magic witchcraft ritual disguised as  a Katy Perry performance. Surprised? You shouldn’t be. This has been going on  for years. We’ll look at the Illuminati Agenda pushed in the 2014 Grammy  Awards.

Jan 28th, 2014

 

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This year’s Grammy Awards apparently had something for everyone. While  old-school rockers might have enjoyed seeing Paul McCartney, Ringo Starr, Willie  Nelson and Metallica performing live, it is the current industry puppets who  reach the youth. And it is their performances that are riddled with symbolism  and messages. Unlike the older singers, the performances given by Beyoncé, Katy  Perry, and even Mackelmore, were not strictly about the music. Their  performances were vehicles to push the Illuminati-sponsored Agenda.

For years, I’ve been stating that music awards ceremonies are a celebration  of what the Illuminati industry stands for, as their choreographed format offers  the industry an opportunity to imprint the collective mind with specific  messages and symbolism. After each award season, I notice a growing number of  people realizing that something is “off” with the music industry and that it  promotes a specific set of values and attitudes. Is the public getting wiser or  is it just all becoming too obvious to ignore? Whether the case may be, the show  prompted people such as Former University of Alabama quarterback A.J. McCarron  to tweet:

AJ McCarron        @10AJMcCarronFollow

Is it just me or are some of the Grammy performances so far seem to be really demonic?? Looks like there is a lot of evil in the world..

Even E! Online tweeted during the show:

 E! Online        @eonlineFollow

Um, did we just witness actual witchcraft during Katy Perry’s performance?

Let’s look at the lowlights (a term I coined because that’s pretty much what  I do on this site) of the 2014 Grammy Awards.

Beyoncé Representing Beta Kittens

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The awards began with Beyoncé singing the words:

I’ve been drinking, I’ve been drinking I get filthy when that liquor get  into me I’ve been thinking, I’ve been thinking Why can’t I keep my fingers  off it, baby?

From that point, we knew that these awards would probably not be  child-friendly. Dressed in a leotard revealing most of her “bootyliciousness”, Beyoncé’s performance was as suggestive as the song’s lyrics. This prompted many  parents to complain about why this was televised at 8pm, while children (many of  whom look up to Beyoncé) are still awake. Others noted that if Miley Cyrus gave  the same performance, there would probably be a violent revolution right about  now.

Beyoncé’s performance was in fact an accurate representation of her recently  released “visual album”, which contains a bunch of very suggestive videos. After  watching that album, I can safely estimate that about 80% of the footage  consists of closeups of Beyoncé touching herself in a sensual matter. In fact,  in this album, Beyoncé appears to play the role of a Beta Kitten that is  programmed to be “on” all the time (if you don’t know about Beta Programming, read this article). Some videos in Beyoncé’s album  contain Monarch programming symbolism.

In this scene of the video Partition, two Beyoncé's dance sensually behind cage bars while completely covered in feline print.

This scene of the video Partition is a true nod to  Beta Kitten Programming. There are two Beyoncé’s (representing split of  personalities); They are behind bars (representing being an MK slave) and they  are covered in animal prints (representing Kitten slaves in Illuminati  symbolism).

Beyoncé’s Grammy performance is therefore in line with the main theme of her  visual album – Beta Kitten programming. Televised at the very beginning of the  awards, her performance is yet another instance an award show exposing millions  of young minds to over-sexualization.

Katy Perry the Witch

The most blatant part of the awards was undoubtedly Katy Perry’s performance,  which was so blatant it even caused many “non-aware” viewers to be disturbed by  its satanic undertones. The performance began with a sinister voice saying:

“She casts spells from crystal balls. Invoking spirits. She put me in a  trance.”

Inside a crystal ball, Perry sings while four horned demon-like figures rise  above her.

Some of the sinister figures have Baphomet-like horns.

Some of the sinister figures have Baphomet-like  horns.

Katy then gets out of the crystal ball moves around with her backup dancers,  remotely controlling them as if they were under her spell.

Seeing the performance, we quickly understand that the song is not about love but being under occult possession.

Seeing the performance, we quickly understand that  the song is not about love but about being under occult possession.

The chorus of the song basically reflects what happens to those accepting  dark pacts … not unlike most of the successful people in the entertainment  industry who were in the audience.

So you wanna play with magic Boy you should know what you’re fallin’ for Baby do you dare to do this ‘Cause I’m comin’ at you like a dark  horse

Then Katy apparently summons a dark horse – is it a reference to the dark  horse of the Apocalypse?

The dark horse's bluish color, musculature and glowing red eyes are striking similar to another horse seen on this site: The "devil horse" of the Denver International Airport.

The dark horse’s musculature, bluish color, and  glowing red eyes are strikingly similar to another horse seen on this site: The “devil horse” of the Denver International Airport.

This scary horse stands in front of the Denver International Airport - a place full of  NWO symbolism (read the article about it here). Is the horse in Katy's performance a reference to the "demon horse" (that's what people in Denver call it) of the DIA?

This scary horse stands in front of the Denver  International Airport – a place full of NWO symbolism (read the article about it here). Is the horse in Katy’s  performance a reference to the “demon horse” (that’s what people in Denver call  it) of the DIA?

Katy then dances around a witch’s broom-turned-stripper pole for a while. To  complete the ritual, her backup dancers light up a circle of fire around  her.

Fire around Katy while the horned demons watch over her.

Fire around Katy while the horned figures watch over  her.

The glowing red cross on Perry's dress is very similar to the red cross of the Knights Templar.

The glowing red cross on Perry’s dress is very  similar to the red cross of the Knights Templar.

The Knights Templar were a medieval occult secret society that is considered  to be the originator of Freemasonry, the Bavarian Illuminati and the keepers of  the secrets of sex-magick as practiced by Crowley’s O.T.O.. The Knights Templar  were prosecuted due to their alleged worshiping of Baphomet and for practicing  of witchcraft. Perry wearing their cross is therefore very fitting. It also  represents the occult elite’s philosophy as a whole.

The cover art of Dark Horse features an All-Seeing Eye at the top, signaling that this is sponsored by the occult elite. Also, the bird and the cage hint to the occult mind control elements of the song.

The cover art of Dark Horse features an All-Seeing  Eye at the top, signaling that this is sponsored by the occult elite. Also, the  bird and the cage hint to the occult mind control elements of the  song.

In short, Katy Perry’s performance is the reason why I call most awards  ceremonies “mega-rituals”.

Promoting “Maleficent”

Continuing in the exact same vein as Perry’s black magick-themed performance,  the Grammy’s were also used to promote the latest Disney movie “Maleficent”.

The movie will feature Angelina Jolie as a horned evil witch.

The movie will feature Angelina Jolie as the horned  evil witch from Sleeping Beauty.

The trailer shown at the ceremony featured the song “Once Upon a Dream” sung  by Lana Del Rey – another figurehead for Beta Kitten Programming (see 98% of her  music videos). Not unlike most of the Grammy’s, this Disney movie appears to be  aimed at young people, but there not-so-hidden dark undertones to it.

In the trailer, we see Maleficient "the Mistress of All Evil" placing a curse on Aurora. This is a good image to represent what mass media does to the youth.

In the trailer, we see Maleficent, dubbed “the  Mistress of All Evil”, placing a curse on baby Aurora. This is a good image to  represent what mass media does to the youth.

The trailer ends with Maleficent saying:

“There is evil in this world. Hatred. And Revenge … HAHAHAHAHAH!”

Whatever you say, Disney Corporation.

The Church Service

The awards then took an odd turn when Mackelmore performed his pro-gay song “Same Love”. The performance featured 33 couples (a symbolic Illuminati number)  being wed by Queen Latifah. Right after, Madonna, the Grand Priestess of the  music industry herself, came out to sing to her subjects.

Holding a scepter, symbol of power, Madonna gives Grand Priestress' blessings to the mass weddings.

Holding a scepter, symbol of power, Madonna gives her  Grand Priestess’ blessings to the mass weddings.

The performance took place in a mock-church, complete with a gospel choir,  under which 33 couples were legally married. That is essentially what the  Illuminati industry is trying to do: Become the new religion of the masses … complete with televised mega-rituals.

In Conclusion

As usual, the 2014 Grammy Awards rewarded the artists the industry wanted to  reward and pushed the messages the Illuminati wanted to push. While many  performances were simple and sober, those given by the most influential artists  today were heavy in messages and imagery. From Beyoncé’s Beta-Kitten performance  to Katy Perry’s black magick ritual, we once again saw that important events are  almost always used to brainwash the youth and to steer it in a specific  direction.

Why is it all about indoctrinating the youth? As Katy Perry’s song says: “Cause once you’re mine … There’s no going back.”

Read more at http://vigilantcitizen.com/musicbusiness/2014-grammy-awards-still-pushing-illuminati-agenda/#tH8dfV41mOyuX5xR.99

I always find their critique fascinating. I’ll be back, time permitting, to present a more accurate historical account of the Knights Templar and the hi-jacking Free Mason Lodges.

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